The Lehman Trilogy – Program

The Belfry Theatre presents

The Lehman Trilogy

by Stefano Massini,
Adapted by Ben Power

Cast (in alphabetical order)

Brian Markinson Henry Lehman
Celine Stubel Mayer Lehman
Nigel Shawn Williams Emanuel Lehman

Creative Team

Michael Shamata Director
Shawn Kerwin Set & Costume Designer
Leigh Ann Vardy Lighting Designer
Tobin Stokes Composer & Sound Designer
Jennifer Swan Stage Manager
Meghan Froebelius Assistant Stage Manager
Treena Stubel Assistant Director
Adrienne Smook Dialect Coach

The Lehman Trilogy is approximately 3 1/2 hours long including two 15-minute intermissions.

Language Coaches
Steven Butz (Hungarian)
Diane Flacks (Hebrew and Yiddish)
Dr. Stephanie Hatzifilalithis (Greek)
Misaki Hasuike (Japanese)
Nawar Marayhi (Arabic)

Cultural Guidance
Diane Flacks
Rabbi Harry Brechner

Economics and Wall Street Coach
Michael King

The Lehman Trilogy is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

The Lehman Trilogy was first performed at the Royal National Theatre, London on 12 July, 2018.
The original Italian text of The Lehman Trilogy by Stefano Massini was first published by Einaudi in 2014.

The Belfry Theatre is a member of the Professional Association of Canadian Theatres and engages professional Artists who are members of the Canadian Actors’ Equity Association under the terms of the jointly negotiated Canadian Theatre Agreement.

This production of The Lehman Trilogy is supported in part
by a generous gift from John & Suzanne Stewart.

This production of The Lehman Trilogy is generously sponsored by

SEASON SPONSORS

PUBLIC FUNDERS

…from the Artistic Director

Welcome to The Lehman Trilogy—a remarkable play about a remarkable family performed by three remarkable actors.

The conceit of the play is that in the corporate board room—immediately after the 2008 financial crash—the crash that brought about the demise of the Lehman Brothers’ empire—the three original Lehman brothers appear. Heyum, Mendel, and Mayer emigrated from Rimpar, Bavaria, and opened a tiny fabric and clothing shop in Montgomery, Alabama.

These same three brothers take us though the entire story—from 1844 through to 2008. With a mixture of surprise and horror, they witness what happens to the business they began. They watch as their descendants take the business to staggering heights of success, and into the depths of failure. They make millions, bend their ethics, and build a towering complex that will eventually topple.

The more “American” the family becomes, the more relentlessly they pursue the American Dream of wealth and more wealth. Their story tracks the evolution of American capitalism. And along the way, the Jewish culture with which these three brothers arrived is adapted, abbreviated, or some would say, abandoned.

I take my hat off—and bow in awe—to these three incredibly gifted actors:
Brian Markinson, Celine Stubel, and Nigel Shawn Williams. I can’t imagine climbing this mountain with any other colleagues—they are artists working at the height of their talents.

Thank you for joining us.

Michael Shamata

…from the Executive Director

When I first read The Lehman Trilogy, late one night, I was swept away by the ambition of its theatrical imagination. It also resonated on a very personal level.

I emigrated from Delhi. As the plane landed in New York, my head buzzed with excitement, anticipation, and yes, my ambitions. In retrospect, I recognize the pressures and expectations that were heaped upon me by others, as well as those
that were self-imposed. I felt that the American Dream was within my grasp, and it was entirely up to me how ardently I would embrace it.

I now have a far more nuanced and jaundiced view of the American Dream, inextricably entwined as it is with Capitalism. Yet I cannot help but admire the myth of the Dream, and how it seduces and captures the imagination of all—the wealthy, the marginalized, and the immigrant.

I do hope you enjoy this examination of the Dream.

Isaac Thomas


The Lehman Brothers and the American Dream

We view The Lehman Trilogy as an exploration of the American Dream, and ultimately a critique of American capitalism. Lehman Brothers’ demise in 2008 is seen as the climax of that progress—the dramatic end of one of Wall Street’s most venerable institutions. It is therefore valuable to examine their journey, which is so emblematic of the evolution of consumerism, capitalism, and the American way of life.

While the script is epic in scope, it is not a history—it is a work of fiction. It does not encompass absolutely everything about the history of American Capitalism. The script of The Lehman Trilogy does not obviously condemn slavery, nor does it mention that, for a time, the brothers were Southern slave owners. Undoubtedly, slavery—its profits and its horrors—form an integral part of American capitalism. But like the world wars, slavery, and Indigenous genocide, significant events and systems are elided in this play for dramaturgical impact.

Casting across race, religion, and gender highlights the universal seductiveness of both the American Dream and capitalism. In addition, given that the production’s three actors are playing multiple characters—crossing genders, cultures, and ethnicities—why should the casting not do the same?

There have been various critiques, readings, and significant praise for various past productions of The Lehman Trilogy. There are some who see the script, notably one Guardian opinion piece, as antisemitic, since the Lehmans are both capitalist and Jewish. Other writers have not identified the script or the various productions as such. We appreciate that art is subjective and therefore there will be differing interpretations. There can be no definitive interpretation and no single truth. Every theatre that produces this play will have its own unique perspective, emphasizing and highlighting particular elements. We encourage you to see the Belfry production and form your own opinion.

Michael Shamata & Isaac Thomas
The Belfry Theatre


To Belfry Patrons from Victoria’s Jewish Community

Dear Belfry Patrons,

Please take a moment to stand in the shoes of your Jewish friends, neighbours, and colleagues. Whether you recognize it or not we contribute greatly to this community in many ways. In fact, we have done so since our communal life began here in the 1850s. And yet, we continue to find ourselves defending against hateful and hurtful stereotypes. Where until recently these ideas were confined to the fringes of society, we are now experiencing a tsunami of hate and discrimination against us.

One of the most common stereotypes is one of Jews as greedy capitalists. “The Jews own all the banks.” This stereotype has classically promoted prejudice and hate towards Jews. This is a fraught time for the Jewish community who feel targeted due to current events over which we have no control. In spite of this we are firmly against censorship in the arts.

We ask that you look deeper to understand how this play may perpetuate a prejudicial narrative. This production holds the intention to transcend the stereotype and focus on the shadow of the American capitalist dream. Understand the tension and hold it for a moment as a means of raising sensitivity and awareness as a path for us all to live in a peaceful inclusive community.

Rabbi Harry Brechner, Spiritual Leader, Congregation Emanu-el
Zelda Dean, Managing Artistic Director, Bema Productions



Cast

Brian Markinson – Henry Lehman

Brian is thrilled to be back at the Belfry, having made his debut in Speed-the-Plow by David Mamet. He started his career in the New York theatre scene, performing on Broadway in Neil Simon’s Pulitzer Prize and Tony Award–winning Lost in Yonkers and off-Broadway in Jules Feiffer’s Elliot Loves, directed by the late Mike Nichols. Brian went on to work with Nichols in multiple films including Wolf, Primary Colors, the Emmy award winning miniseries Angels in America and Charlie Wilson’s War. Other Theatre: Angels in America, Glengarry Glen Ross, and Waiting for Godot (Arts Club), True West (Vancouver Playhouse). He has worked extensively with Woody Allen, appearing in Sweet and Lowdown, Small Time Crooks, and The Curse of the Jade Scorpion. Brian has over 170 television and film credits, including Mad Men, Fargo, A Million Little Things, The Mayor of Kingstown, Tribal, Girlfriend’s Guide to Divorce, The Romeo Section, Continuum, and the miniseries Painkiller, Unspeakable and Klondike. Brian was nominated for a Gemini Award for his role as James Roszko in the film Mayerthorpe. He can be seen now in the CBC series, Allegiance and upcoming in the miniseries, Under the Bridge.

Celine Stubel – Mayer Lehman

Celine is overjoyed to be back home at the Belfry with this remarkable team. Theatre highlights include Kindred, The Last Wife, Venus in Fur, Proud, Speed the Plow, And Slowly Beauty…, and A Christmas Carol (Belfry). Elsewhere: The Great Gatsby (Theatre Calgary); Oliver (NAC); Fire, Who’s Afraid of Virginia Woolf? (Blue Bridge); Angels in America, The Graduate, (Arts Club Theatre); Electric Company’s Studies In Motion (Citadel and Canadian Stage); Legoland, (Atomic Vaudeville); All’s Well That Ends Well, (Bard on The Beach); and My Three Sisters (Theatre SKAM). Film and TV credits include All in Madonna, Encore, The Cameraman, Motive, Arrow, and Eadward. Celine is a proud Mom and wouldn’t be here without the immeasurable love and support from her entire family and her husband, Sam.

Nigel Shawn Williams – Emanuel Lehman

For the Belfry: Director for Serving Elizabeth, and Intimate Apparel. Nigel Shawn Williams is the former Co-Artistic Director of Factory Theatre in Toronto. He is a multi-award-winning actor and director. His theatre credits include multiple seasons at the Stratford and Shaw Festivals and most major cities in every province. Selected credits: Harlem Duet (Obsidian Theatre), Belle (Factory Theatre), Angels in America (RMTC, Canadian premiere), Race (Canadian Stage), and Fences (Grand Theatre). Nigel is also heavily active in new play development. He is an educator, having taught at York University, University of Windsor, Dalhousie University, and the National Theatre School of Canada. He can also be seen in films and on television.

Creative Team

Stefano Massini – Playwright

Stefano Massini is a renowned novelist and playwright, the first Italian author to receive a Tony Award. He regularly contributes to the Italian newspaper La Repubblica, and he served as artistic consultant at Piccolo Teatro di Milano—Teatro d’Europa. His works, including The Lehman Trilogy, have been translated into 30 languages, and his plays have been performed in more theatres around the world than those of any other living Italian writer—produced as far as Iran and Korea, and staged by directors such as Luca Ronconi and Sam Mendes. Other select works: Intractable Woman, Ladies Football Club, and 7 Minutes. He won many Italian and foreign awards, including the Premio Vittorio Tondelli, the Premio Ubu, the Tony Award, the Drama Guild Award, and the Outer Critics Circle Award. The Lehman Trilogy won the Selezione Campiello Prize, the Super Mondello Prize, the De Sica Prize, the Prix Médicis Essai and the Prix Meilleur Livre Étranger. He recently finished a multi-part play about the history of the atomic bomb, Manhattan Project.

Ben Power – Adaptor

Ben Power is a writer for theatre and the screen. For the last 12 years he has worked at the National Theatre as Associate Director and Deputy Artistic Director, and was responsible for the temporary theatre The Shed. Work for the screen includes Munich: The Edge of War and The Hollow Crown (BAFTA nominations for Best Single Drama and Best Mini-Series). Work for the stage includes adaptations of DH Lawrence’s Husbands and Sons, Euripides’ Medea, and Ibsen’s Emperor and Galilean, all for the National; A Tender Thing for the RSC (produced by the Belfry in 2013); and Complicite’s A Disappearing Number (Olivier and Evening Standard Awards). He was associate director of Headlong where he adapted Pirandello’s Six Characters in Search of an Author and Marlowe’s Faustus. He is currently creating a television series for Working Title and is published by Faber & Faber.

Michael Shamata – Director

Michael has been a grateful guest on Lekwungen territory for almost 16 years.

Celebrating almost 50 years in professional theatre, Michael is the Artistic Director of the Belfry, where he has commissioned and directed Home is a Beautiful Word and Forget About Tomorrow. He collaborated with and directed the adaptation of Griffin & Sabine with Nick Bantock and BEING HERE: The Refugee Project with Joel Bernbaum. Other directing credits at the Belfry include Sexual Misconduct of the Middle Classes, the Canadian premieres of The Year of Magical Thinking and A Doll’s House, Part 2, the English-language premiere of And Slowly Beauty…, and his own adaptation of Charles Dickens’ A Christmas Carol.

An award-winning director, he has created productions at most of the major theatres across the country, including the Stratford Festival, Soulpepper, Canadian Stage, the National Arts Centre, the Manitoba Theatre Centre, Theatre Calgary, and the dearly missed Vancouver Playhouse.

Shawn Kerwin – Set & Costume Designer

Shawn’s work has been seen across Canada and internationally. Recent work includes set design for Come From Away (Gander), set and costume design for Sexual Misconduct of the Middle Classes (Belfry), The Bakkhai (Stratford), and Sea Sick (international tour). She has designed productions for Mirvish Productions, Artistic Fraud, Soulpepper, Charlottetown Festival, Signal Theatre, Blyth Festival, and others. In 2017 she co-created, with Jillian Keiley, the 150-person outdoor performance float in St. John’s. Future projects include The Goat (Stratford) and The Trial of Maggie Pollock (Blyth Festival). She is a full-time faculty member in York University’s Department of Theatre and Performance.

Leigh Ann Vardy – Lighting Designer

Leigh Ann is from Corner Brook, Newfoundland, and lives in Halifax. She designs lighting for theatre, dance, and opera across Canada

Tobin Stokes – Composer & Sound Designer

Since the late ’80s, Tobin has been fortunate to return to the Belfry as a performer, arranger, musical director, composer and/or sound designer for various productions. He’s even had a couple of short plays premiere at the annual Spark Festival. Musical projects here have featured the music of Leonard Cohen, Patsy Cline, Harry Chapin, Joni Mitchell, and his own opera The Vinedressers. Besides creating for theatre, Tobin composes for opera, orchestra and choir, and scores nature documentaries.

Treena Stubel – Assistant Director

Treena’s directing credits include The Secret in the Wings (University of Saskatchewan), and I, Claudia (Blue Bridge Repertory). She co-directed the remount of the hit musical Ride the Cyclone (Blue Bridge Repertory) and was the original movement director of the Dora Award-Winning Canadian Tour. She is a choreographer, (Bard on the Beach, Caravan Farm Theatre), and has also worked as a dancer, actor, and intimacy director (Belfry Theatre: As Above, Yaga, Kindred, Intimate Apparel, Sexual Misconduct of the Middle Classes), and has created numerous movement-based works for festivals in Canada and abroad (Hay Festival Wales, Toronto LabCab, Vancouver Dance Centre). Her studies include dance, acting (BFA, University of Victoria), a wide range of physical theatre disciplines internationally, and an MFA in Lecoq Physical Theatre from LISPA in London, UK.

Jennifer Swan – Stage Manager

Born and raised on Lekwungen territory, she is thankful to the Songhees and Esquimalt nations, on whose land she has the immense joy to be living. Jen has been a part of the Belfry since 1999, and it remains one of her favourite places to be. In September 2022, she took a step back from stage management to become the Finance Officer and stage management mentor at the Canadian College of Performing Arts. It was an unexpected gift to be asked to stage manage The Lehman Trilogy this spring, and she is thrilled to be returning to work among longtime friends. She is grateful to both the Belfry and CCPA (Canadian College of Performing Arts) for being so flexible and accommodating, allowing her to have this kind of life.

Meghan Froebelius – Assistant Stage Manager

Meghan is first and foremost a stage manager, even after having once been told (in considering stage management as a career), “If you can think of anything else you’d rather do, do that instead.” She couldn’t think of anything else she’d rather do (having tried really hard to do so) and has since gone on to work at theatres including Soulpepper, Canadian Stage, Centaur Theatre, Thousand Islands Playhouse, and five seasons at the Shaw Festival (including two seasons as assistant producer). Meghan is a graduate of Queen’s University and The National Theatre School of Canada.

Peter Chapman – Author

Peter Chapman is the author of The Last of the Imperious Rich: Lehman Brothers, 1844–2008, a leading reference on the history of the Lehman family

About the Belfry

The Belfry Theatre is on the land of the Lək̓ʷəŋən People, known today as the Esquimalt and Songhees Nations. The Lək̓ʷəŋən people have been keepers of this land for millennia and we offer our respect and gratitude for our uninvited presence on their territory.

These lands are within the disputed Douglas Treaties territories, treaties that were negotiated verbally, signed to blank pieces of paper by the Indigenous leaders and then had text added by the colonial government. The colonial perspective on the treaty is one of a sale of land, while the Indigenous perspective is a sharing of territory.

The Songhees are members of the Te’mexw Treaty Association seeking a modern treaty with the Crown on their rights, territory and self-government.

The Belfry Theatre is a registered Canadian charity, 11921 5549 RR0001.

The Belfry Theatre is a member of the Greater Victoria Chamber of Commerce, Destination Greater Victoria, and the Professional Arts Alliance of Greater Victoria.

2023–24 Board of Directors
President – Alison Watt
Vice President – Gillian Wood
Secretary – Mikaila Mauro
Treasurer – Kathy Veldhoen
Past President – Richard Brownsey
Directors
Cathi Charles Wherry
Dr. Joan McArthur-Blair
Kini McDonald
Daniela Pinto
Joni Steinman
Stephen Tax

Honorary Board of Directors
Chair Emeritus – Patrick Stewart
Sherri Bird
Barbara Greeniaus
Robert Johnston K.C.
John Keay
Joan Snowden
Dr. Brian Winsby
Michael Ziegler

Jamie Anderson – Box Office Clerk & FOH Supervisor
Castor Angus – Box Office Clerk
Alison Bendall – FOH Supervisor & Box Office Clerk
Claire Cacheux – Box Office Clerk
Helena Descoteau – Box Office Supervisor
Mark Dusseault – Director of Marketing &Communications
Linda Findlay – Head of Wardrobe
Mike Ford – Director of Production & Operations
Ian Gibson – Audience Services Manager
Keith Houghton – Head Technician & Systems Administrator
Valerie Houle – Producer
Nora Kidston – Front of House Manager
Carole Klemm – Head Scenic Artist
Jeff Kulak – Graphic Designer
Jeremy MacLeod – Technical Director
Patricia O’Brien – Director of Finance
Peter Pokorny – Head of Props & Scenic Carpenter
Dale Pudwell – Master Carpenter
Sophia Radford – Box Office Supervisor
Michael Shamata – Artistic Director
Susan Stevenson – Director of Development
Isaac Thomas – Executive Director
Cian Waldron – Box Office Clerk
Deborah Williams – Associate Artist & Flame Facilitator
Celena Cook Custodial Celena’s Cleaning Co.

B4Play Host – Gregor Craigie
Photographers – David Cooper, Emily Cooper, Jo-Ann Richards, Peter Pokorny, and Don Craig
Belfry 101 Instructors – Dave Morris & Nicole Malcolm
Venue Technician / Props Support – Hannah Abbey
Stitcher – Shannon Carmichael
Scenic Painter – Lara Shepard
Lighting Crew – Grace Carmichael, Andrew Shepherd, Alison Bendall

Steven Butz, Diane Flacks, Dr. Stephanie Hatzifilalithis, Misaki Hasuike, Nawar Marayhi, Rabbi Harry Brechner, Zelda Dean, Michael King, and Stephen Tax

Thank you to our Community Connectors: Ariel Reyes, Fiona Bramble, Katherine Ross, Nicola Watts, Debra Sheets, Tania Betiku, Thembelihle Moyo, Olvie Li, Carmen Rodriguez, Jess Barton, Cassidy VillebrunBuracas, Alex Taylor-McCallum and Dahlila Isabelle Charlie

Smartphones, Cameras, and Recording Devices
The use of cameras, smartphones or audio/visual recording equipment is prohibited. Please turn off all personal electronic devices prior to the performance. If you need to be contacted in an emergency, please leave your name and seat number with our House Manager.

Latecomers & Re-admission
The Director of each production designates moments in the show when the seating of latecomers will cause the least distraction for actors and audience members. Should you leave the theatre, our House Manager will not be able to reseat you until one of these breaks and may not be able to return you to your original seat, but you can watch the performance on the monitor in our lobby.

Perfume and Cologne
Please refrain from using perfume and cologne when you come to the theatre. Some of our patrons are highly allergic to scents.

Food & Drinks
Only food or drinks that you purchase at the concession are permitted in the theatre.

Lost and Found
Please check with our House Manager if you have lost an item in the theatre.

Lobby Touchscreen
The TV monitor in our new lobby is a touchscreen device. By touching the screen, you can delve deeper into each production, learn about the artists who created the show, and much more.

Babes in Arms
The Belfry is proud to produce adult contemporary theatre. Most of our productions are not suitable for young children. Sorry, we do not admit babes in arms.

PRE-PERFORMANCE

B4Play
Live talk shows hosted by CBC Radio’s Gregor Craigie and featuring artists from the upcoming show, along with experts from the community, have been designed to provide insight into each Mainstage production. Each event is held the Saturday prior to Opening, is free to attend and is also live streamed on Facebook, and available as a podcast on our website.

Podcasts
Listen and download the full interviews from each B4Play, recent stories from The Flame, our storytelling series, and more at belfry.bc.ca/podcasts.

Upstage Magazine
Our magazine provides insight into each Mainstage production, further enriching your experience. Upstage is available in the Lobby and on our website. Drop us a line at hello@belfry.bc.ca for an advance copy.

FOLLOWING THE PERFORMANCE

Talkback Thursday

Thursday, May 9 following the performance. On the third Thursday performance during the run of each show, most (usually all) of the actors return to the stage to answer your questions and provide insight into the play you have just experienced. These Q & A sessions last approximately 20 minutes.


ACCESSIBLE PERFORMANCES

VocalEye – The Lehman Trilogy
Sunday, May 12 at 2 pm (in-person event with Touch Tour & Social After)

For patrons with low or no vision, we offer one VocalEye performance during most Mainstage productions. Trained Audio
Describers provide descriptions of the visual elements of the show, allowing people with low vision to enjoy the theatrical experience without missing any of the details. More information at the Box Office.

Hearing Assist
For patrons who are hard of hearing, the theatre is equipped with an infra-red hearing assist system and a neck loop system. We have twelve devices of each system available through the Box Office.